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Grief is for people
(Book)

Book Cover
Published:
New York : MCD/Farrar, Straus and Giroux, 2024.
Format:
Book
Edition:
First edition.
Physical Desc:
191 pages ; 21 cm
Status:
Boulder Main Adult NonFiction
155.93 Cros
Boulder Reynolds Adult Nonfiction
155.93 Cros

Copies

Location
Call Number
Status
Last Check-In
Boulder Main Adult NonFiction
155.93 Cros
Due Dec 17, 2025
Boulder Main Adult NonFiction
155.93 Cros
Missing
Boulder Main Adult NonFiction
155.93 Cros
Due Dec 17, 2025
Boulder Main Adult NonFiction
155.93 Cros
On Shelf
Dec 5, 2024
Boulder Meadows Adult Nonfiction
155.93 Cros
Due Jan 18, 2025
Boulder NoBo Adult NonFiction
155.93 Cros
Due Jan 16, 2025
Boulder Reynolds Adult Nonfiction
155.93 Cros
On Shelf
Oct 16, 2024
Location
Call Number
Status
Last Check-In
Broomfield New Non-Fiction
155.93 Crosl
On Shelf
Dec 16, 2024
Lafayette Biography Area
155.93 Cro
On Shelf
Nov 16, 2024
Lafayette Nonfiction Area
155.93 Cro
On Shelf
Oct 21, 2024
Longmont Adult Nonfiction
155.93 CRO
On Shelf
Nov 14, 2024
Longmont New Book Shelf - Nonfiction
155.93 CRO
Due Dec 31, 2024
Longmont New Book Shelf - Nonfiction
155.93 CRO
On Hold Shelf
Louisville Adult Biographies
BIO CROSLEY
On Shelf
Dec 20, 2024
Loveland Adult Nonfiction
155.93 Crosley, S.
Due Jan 11, 2025

Description

This is a deeply moving and suspenseful portrait of friendship, and a book about loss that is profuse with life. Sloane Crosley is one of our most renowned observers of contemporary behavior, and now the pathos that has been ever present in her trademark wit is on full display. After the pain and confusion of losing her closest friend to suicide, Crosley looks for answers in philosophy and art, hoping for a framework more useful than the unavoidable stages of grief. For most of her adult life, Sloane and Russell worked together and played together as they navigated the corridors of office life, the literary world, and the dramatic cultural shifts in New York City. One day, Sloane’s apartment is broken into. Along with her most prized possessions, the thief makes off with her sense of security, leaving a mystery in its place. When Russell dies exactly one month later, his suicide propels Sloane on a wild quest to right the unrightable, to explore what constitutes family and possession as the city itself faces the staggering toll of the pandemic. Crosley’s search for truth is frank, darkly funny, and gilded with resounding empathy. This is a category-defying story of the struggle to hold on to the past without being consumed by it. A modern elegy, it rises precisely to console and challenge our notions of mourning during these grief-stricken times.

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More Details

Language:
English
ISBN:
0374609845, 9780374609849

Notes

Description
This is a deeply moving and suspenseful portrait of friendship, and a book about loss that is profuse with life. Sloane Crosley is one of our most renowned observers of contemporary behavior, and now the pathos that has been ever present in her trademark wit is on full display. After the pain and confusion of losing her closest friend to suicide, Crosley looks for answers in philosophy and art, hoping for a framework more useful than the unavoidable stages of grief. For most of her adult life, Sloane and Russell worked together and played together as they navigated the corridors of office life, the literary world, and the dramatic cultural shifts in New York City. One day, Sloane’s apartment is broken into. Along with her most prized possessions, the thief makes off with her sense of security, leaving a mystery in its place. When Russell dies exactly one month later, his suicide propels Sloane on a wild quest to right the unrightable, to explore what constitutes family and possession as the city itself faces the staggering toll of the pandemic. Crosley’s search for truth is frank, darkly funny, and gilded with resounding empathy. This is a category-defying story of the struggle to hold on to the past without being consumed by it. A modern elegy, it rises precisely to console and challenge our notions of mourning during these grief-stricken times.

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Citations

APA Citation (style guide)

Crosley, S. (2024). Grief is for people. First edition. New York, MCD/Farrar, Straus and Giroux.

Chicago / Turabian - Author Date Citation (style guide)

Crosley, Sloane. 2024. Grief Is for People. New York, MCD/Farrar, Straus and Giroux.

Chicago / Turabian - Humanities Citation (style guide)

Crosley, Sloane, Grief Is for People. New York, MCD/Farrar, Straus and Giroux, 2024.

MLA Citation (style guide)

Crosley, Sloane. Grief Is for People. First edition. New York, MCD/Farrar, Straus and Giroux, 2024.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.

Staff View

Grouped Work ID:
670bfcd6-16fc-bee0-93cd-18306f4ad914
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Record Information

Last Sierra Extract TimeDec 25, 2024 06:08:39 AM
Last File Modification TimeDec 25, 2024 06:09:39 AM
Last Grouped Work Modification TimeDec 25, 2024 06:35:39 PM

MARC Record

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520 |a This is a deeply moving and suspenseful portrait of friendship, and a book about loss that is profuse with life. Sloane Crosley is one of our most renowned observers of contemporary behavior, and now the pathos that has been ever present in her trademark wit is on full display. After the pain and confusion of losing her closest friend to suicide, Crosley looks for answers in philosophy and art, hoping for a framework more useful than the unavoidable stages of grief. For most of her adult life, Sloane and Russell worked together and played together as they navigated the corridors of office life, the literary world, and the dramatic cultural shifts in New York City. One day, Sloane’s apartment is broken into. Along with her most prized possessions, the thief makes off with her sense of security, leaving a mystery in its place. When Russell dies exactly one month later, his suicide propels Sloane on a wild quest to right the unrightable, to explore what constitutes family and possession as the city itself faces the staggering toll of the pandemic. Crosley’s search for truth is frank, darkly funny, and gilded with resounding empathy. This is a category-defying story of the struggle to hold on to the past without being consumed by it. A modern elegy, it rises precisely to console and challenge our notions of mourning during these grief-stricken times.
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