The 1619 Project: a new origin story
(Large Print)
Contributors:
Hannah-Jones, Nikole, editor.
Roper, Caitlin, editor.
Silverman, Ilena, editor.
Silverstein, Jake, editor.
New York Times Company.
Roper, Caitlin, editor.
Silverman, Ilena, editor.
Silverstein, Jake, editor.
New York Times Company.
Published:
New York : Random House Large Print, c2021.
Format:
Large Print
Edition:
First large print edition.
Physical Desc:
xlix, 983 pages (large print) : illustrations ; 24 cm
Status:
Boulder Main Large Print
LP 306.3620973 1619
Boulder Meadows Large Print
LP 306.3620973 1619
Boulder Reynolds Large Print
LP 306.3620973 1619
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LP 306.3620973 1619
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Boulder Meadows Large Print
LP 306.3620973 1619
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Aug 28, 2024
Boulder Reynolds Large Print
LP 306.3620973 1619
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Mar 26, 2024
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Longmont Large Print Nonfiction
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Loveland Adult Nonfiction - Large Print
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Description
In late August of 1619, when a ship arrived in Jamestown bearing a cargo of twenty to thirty enslaved people from Africa. Their arrival inaugurated a barbaric and unprecedented system of chattel slavery that would last for the next 250 years. This is sometimes referred to as the country's original sin, but it is more than that: It is the country's very origin. The 1619 Project tells this new origin story, placing the consequences of slavery and the contributions of Black Americans at the center of the story we tell ourselves about who we are as a country. Led by MacArthur "genius" and Pulitzer Prize-winning journalist Nikole Hannah-Jones, this collection of essays and historical vignettes includes some of the most outstanding journalists, thinkers, and scholars of American history and culture--including Linda Villarosa, Jamelle Bouie, Jeneen Interlandi, Matthew Desmond, Wesley Morris, and Bryan Stevenson. Together, their work shows how the tendrils of 1619--of slavery and resistance to slavery--reach into every part of our contemporary culture, from voting, housing and healthcare, to the way we sing and dance, the way we tell stories, and the way we worship. Interstitial works of flash fiction and poetry bring the history to life through the imaginative interpretations of some of our greatest writers. The 1619 Project ultimately sends a very strong message: We must have a clear vision of this history if we are to understand our present dilemmas. Only by reckoning with this difficult history and trying as hard as we can to undersand its powerful influence on our present, can we prepare ourselves for a more just future.
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More Details
Language:
English
ISBN:
9780593501719, 0593501713
Notes
Bibliography
Includes bibliographical references (pages [767]-910) and index.
Description
In late August of 1619, when a ship arrived in Jamestown bearing a cargo of twenty to thirty enslaved people from Africa. Their arrival inaugurated a barbaric and unprecedented system of chattel slavery that would last for the next 250 years. This is sometimes referred to as the country's original sin, but it is more than that: It is the country's very origin. The 1619 Project tells this new origin story, placing the consequences of slavery and the contributions of Black Americans at the center of the story we tell ourselves about who we are as a country. Led by MacArthur "genius" and Pulitzer Prize-winning journalist Nikole Hannah-Jones, this collection of essays and historical vignettes includes some of the most outstanding journalists, thinkers, and scholars of American history and culture--including Linda Villarosa, Jamelle Bouie, Jeneen Interlandi, Matthew Desmond, Wesley Morris, and Bryan Stevenson. Together, their work shows how the tendrils of 1619--of slavery and resistance to slavery--reach into every part of our contemporary culture, from voting, housing and healthcare, to the way we sing and dance, the way we tell stories, and the way we worship. Interstitial works of flash fiction and poetry bring the history to life through the imaginative interpretations of some of our greatest writers. The 1619 Project ultimately sends a very strong message: We must have a clear vision of this history if we are to understand our present dilemmas. Only by reckoning with this difficult history and trying as hard as we can to undersand its powerful influence on our present, can we prepare ourselves for a more just future.
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Citations
APA Citation (style guide)
Hannah-Jones, N., Roper, C., Silverman, I., & Silverstein, J. (2021). The 1619 Project: a new origin story. First large print edition. New York, Random House Large Print.
Chicago / Turabian - Author Date Citation (style guide)Nikole, Hannah-Jones et al.. 2021. The 1619 Project: A New Origin Story. New York, Random House Large Print.
Chicago / Turabian - Humanities Citation (style guide)Nikole, Hannah-Jones et al., The 1619 Project: A New Origin Story. New York, Random House Large Print, 2021.
MLA Citation (style guide)Hannah-Jones, Nikole,, et al. The 1619 Project: A New Origin Story. First large print edition. New York, Random House Large Print, 2021.
Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
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Grouped Work ID:
6f627e4c-760d-e537-da42-e43cb09ab789
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Record Information
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| 505 | 0 | 0 | |t Origins / |r by Nikole Hannah-Jones -- |g 1619. |t The white lion / |r poem by Claudia Rankine -- |t Democracy / |r by Nikole Hannah-Jones -- |g 1662. |t Daughters of Azimuth / |r poem by Nikky Finney -- |g 1682. |t Loving me / |r poem by Vievee Franis -- |t Race / |r by Dorothy Roberts -- |g 1731. |t Conjured / |r poem by Honoree Fanonne Jeffers -- |g 1740. |t A Ghazalled sentence after "My people hold on" by Eddie Kendricks and the Negro Act of 1760 / |r poem by Terrance Hayes -- |t Sugar / |r Khalil Gibran Muhammad -- |g 1770. |t First to rise / |r poem by Yusef Komunyakaa -- |g 1773. |t proof (dear Phillis) / |r poem by Eve L. Ewing -- |t Fear / |r by Leslie Alexander and Michelle Alexander -- |g 1775. |t Freedom is not for myself alone / |r fiction by Robert Jones Jr. -- |g 1791. |t Other persons / |r poem by Reginald Dwayne Betts -- |t Dispossession / |r Tiya Miles -- |g 1800. |t Trouble the water / |r fiction by Barry Jenkins -- |g 1808. |t Sold South / |r fiction by Jesmyn Ward -- |t Capitalism / |r Matthew Desmond -- |g 1816. |t Fort Mose / |r poem by Tyehimba Jess -- |g 1822. |t Before his execution / |r poem by Tim Seibles -- |t Politics / |r Jamelle Bouie -- |g 1830. |t We as people / |r poem by Cornelius Eady -- |g 1850. |t A letter to Harriet Hayden / |r monologue by Lynn Nottage -- |t Citizenship / |r Martha S. Jones -- |g 1863. |t The camp / |r fiction by Darryl Pinckney -- |g 1866. |t An absolute massacre / |r fiction by ZZ Packer -- |t Self-defense / |r by Carol Anderson -- |g 1870. |t Like to the rushing of a mighty wind / |r poem by Tracy K. Smith -- |g 1883. |t no car for colored (+) ladies (or, miss wells goes off (on) the rails) / |r poem by Evie Shockley -- |t Punishment / |r by Bryan Stevenson -- |g 1898. |t Race riot / |r poem by Forrest Hamer -- |g 1921. |t Greenwood / |r poem by Jasmine Mans -- |t Inheritance / |r by Trymaine Lee -- |g 1925. |t The new Negro / |r Poem by A. Van Jordan -- |g 1932. |t Bad blood / |r fiction by Yaa Gyasi -- |t Medicine / |r Linda Villarosa -- |g 1955. |t 1955 / |r poem by Danez Smith -- |g 1960. |t From behind the counter / |r fiction by Terry McMillan -- |t Church / |r by Anthea Butler -- |g 1963. |t Youth Sunday / |r poem by Rita Dove -- |g 1963. |t On Brevity / |r poem by Camille T. Dungy -- |t Music / |r by Wesley Morris -- |g 1965. |t Quotidian / |r poem by Natasha Trethewey -- |g 1966. |t The panther is a virtual animal / |r poem by Joshua Bennett -- |t Healthcare / |r by Jeneen Interlandi -- |g 1792. |t Unbought, unbossed, unbothered / |r fiction by Nafissa Thompson-Spires -- |t Crazy when you smile / |r poem by Patricia Smith -- |t Traffic / |r by Kevin M. Kruse -- |g 1984. |t Rainbows aren't real, are they? / |r fiction by Kiese Laymon -- |g 1985. |t A surname to honor their mother / |r poem by Gregory Pardlo -- |g Progress / |r by Ibram X. Kendi -- |g 2005. |t At the Superdome after the storm has passed / |r poem by Clint Smith -- |g 2008. |t Mother and son / |r fiction by Jason Reynolds -- |t Justice / |r by Nikole Hannah-Jones -- |g 2020. |t Progress report / |r poem by Sonia Sanchez. |
| 520 | |a In late August of 1619, when a ship arrived in Jamestown bearing a cargo of twenty to thirty enslaved people from Africa. Their arrival inaugurated a barbaric and unprecedented system of chattel slavery that would last for the next 250 years. This is sometimes referred to as the country's original sin, but it is more than that: It is the country's very origin. The 1619 Project tells this new origin story, placing the consequences of slavery and the contributions of Black Americans at the center of the story we tell ourselves about who we are as a country. Led by MacArthur "genius" and Pulitzer Prize-winning journalist Nikole Hannah-Jones, this collection of essays and historical vignettes includes some of the most outstanding journalists, thinkers, and scholars of American history and culture--including Linda Villarosa, Jamelle Bouie, Jeneen Interlandi, Matthew Desmond, Wesley Morris, and Bryan Stevenson. Together, their work shows how the tendrils of 1619--of slavery and resistance to slavery--reach into every part of our contemporary culture, from voting, housing and healthcare, to the way we sing and dance, the way we tell stories, and the way we worship. Interstitial works of flash fiction and poetry bring the history to life through the imaginative interpretations of some of our greatest writers. The 1619 Project ultimately sends a very strong message: We must have a clear vision of this history if we are to understand our present dilemmas. Only by reckoning with this difficult history and trying as hard as we can to undersand its powerful influence on our present, can we prepare ourselves for a more just future. | ||
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